Chay is excited by the creation of cinematic language.
Films mentioned in order:
Napoleon (Abel Gance, 1927)
As the lights come up and the credits roll, Chay turns to you to discuss an aspect of a film
Chay is excited by the creation of cinematic language.
Films mentioned in order:
Napoleon (Abel Gance, 1927)
Chay discusses the #52filmsbywomen project.
Films mentioned in order:
What Happened, Miss Simone? (Liz Garbus, 2015)
Butter on the Latch (Josephine Decker, 2013)
Thou Wast Mild and Lovely (Josephine Decker, 2014)
Jupiter Ascending (Lana & Lilly Wachowski, 2015)
Money Monster (Jodie Foster, 2016)
Mustang (Deniz Gamze Ergüven, 2015)
Cleo from 5 to 7 (Agnès Varda, 1962)
Losing Ground (Kathleen Collins, 1982)
No Home Movie (Chantal Ackerman, 2015)
Chay discusses jump scares.
Films mentioned in order:
Nocturnal Animals (Tom Ford, 2016)
Chay escapes for a moment.
Films mentioned in order:
Maverick (Richard Donner, 1994)
The Blues Brothers (John Landis, 1980)
Van Helsing (Stephen Sommers, 2004)
The Purple Rose of Cairo (Woody Allen, 1985)
Chay discusses the narrative of failure.
Films mentioned in order:
Doctor Strange (Scott Derrickson, 2016)
Monsters University (Dan Scanlon, 2013)
Don’t Think Twice (Mike Birbiglia, 2016)
Chay talks about narratives outside of films.
Films mentioned in order:
The Wizard of Oz (George Cukor, 1939)