Chay discusses a parodic moment done right
Films mentioned in order:
The Big Lebowski (Joel & Ethan Coen, 1998)
As the lights come up and the credits roll, Chay turns to you to discuss an aspect of a film
Chay discusses a parodic moment done right
Films mentioned in order:
The Big Lebowski (Joel & Ethan Coen, 1998)
Chay discusses when laughter isn’t infectious
Films mentioned in order:
The Naked Gun: From the Files of Police Squad (David Zucker, 1988)
Chay discusses minor characters
Films mentioned in order:
Chinatown (Roman Polanski, 1974)
Chay discusses watching a film with a dirty screen
Films mentioned in order:
Citizenfour (Laura Poitras, 2014)
Her (Spike Jonze, 2013)
The Great Beauty (Paolo Sorrentino, 2013)
Napoleon (Abel Gance, 1927)
2001: A Space Odyssey (Stanley Kubrick, 1968)
Chay discusses their environmental worries.
Films mentioned on order:
Pom Poko (Isao Takahata, 1994)
Chay discusses why ugliness in films is compelling
Films mentioned in order:
End of the Wicked (Teco Benson, 1999)
Antichrist (Lars Von Trier, 2009)
Cannibal Holocaust (Ruggero Deodato, 1980)
Funny Games (Michael Haneke, 1997)
Chay discusses how characters talking over each other and then to silence can work well.
Films mentioned in order:
Mo’ Better Blues (Spike Lee, 1990)
Chay discusses why Tati’s film is perfect for the hungover.
Films mentioned in order:
Les vacances de Monsieur Hulot (Jacques Tati, 1953)
Chay discusses abortion as a plot point.
Films mentioned in order:
Obvious Child (Gillian Robespierre, 2014)